De Vliegende Panters: Sex

Van der Laan & Woe: Alles Eromheen

2016

Registration of the fifth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.

Marc-Marie Huijbregts: Marc-Marie Punt.

2009

Television registration of the third program by the Dutch comedian Marc-Marie Huijbregts. Marc-Marie Huijbregts sketches a very intimate self-portrait based on personal anecdotes and reflections.

Lenette van Dongen: Nikè

2008

Sanne Wallis de Vries: Sop

1999

Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.

De Vliegende Panters: Ebbinge, Vrijdag en De Bekker

2006

Stage registration of the fourth comedy special (2006-2008) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). This show tells the story about who the Vliegende Panters really are.

Rayen Panday: Fenomeen

2021

Najib Amhali: Most Wanted

2005

Hans Teeuwen: Trui

2000

In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.

Hans Teeuwen: Met een Breierdeck

1997

The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.

Alex Agnew: Ka-Boom!

2006

Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!

Philippe Geubels: Droog

2009

The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.

Theo Maassen: Ruwe Pit

1998

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).