Teaches of Peaches

Janine F.

2005

The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.

Casablanca

DocumentaryMusic

2023

Casablanca emerged from a sensitive look (and listening) from a characteristic place on 3rd street in the center of Goiânia. With a territorial approach through a biographical perspective, the documentary tells the storys of the lives of Zardos and Iara that today allow places like Casablanca to continue to exist in a big city. On Thursdays, at 8 pm, what during the week was just a pizzeria, becomes an environment where bolero goes beyond the corners.

ANDRO

2025

ANDRO DADIANI's political performances dissect the oppression by state and church in Georgia and conquer Tbilisi's urban spaces. As a queer, non-binary protest and performance art figure, their identity remains a secret. The danger of open resistance is too great.

Dixie Chicks: Shut Up and Sing

MusicDocumentary

2006

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

ComedyMusicFantasyAdventure

Tenacious D in The Pick of Destiny

2006

In Venice Beach, naive Midwesterner JB bonds with local slacker KG and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat, so they set out to steal what could be the answer to their prayers... a magical guitar pick housed in a rock-and-roll museum some 300 miles away.

The Bear Inside a Whale

2025

Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.

Hideous

MusicHorrorDrama

2022

Musician Oliver Sim is the main guest of a talk-show that soon slides into a surreal journey of love, shame, and blood.

Noah Kahan: Out of Body

DocumentaryMusic

2026

After rocketing to global fame, singer-songwriter Noah Kahan faces the pressure of making his next album and returns to his Vermont roots and family to get back in tune with himself.

LP à la salle Pleyel

Music

2022

Since the release of his track "Lost on You", which took over the airwaves and networks, LP has enjoyed huge success in Europe. In this concert at Salle Pleyel, the artist is surrounded by Alex Feder (guitar), Brian Stanley (bass), Neal Daniels (drums) and Ryan Kern (keyboards/synths).

Mariela Castro's March: Cuba's LGBT Revolution

2016

A rare look inside Cuba’s LGBT community, this compelling film follows the efforts of Mariela Castro, daughter of President Raúl Castro, as she champions LGBT social reforms and acceptance of diversity.

Nova the Film

2011

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Pierrot Lunaire

MusicDrama

2014

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”