Housing a Dream

Janine F.

2005

The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.

Die Bauten Adolf Hitlers

1938

Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.

The Bear Inside a Whale

2025

Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.

Nova the Film

2011

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

To Open Eyes

The genesis of To Open Eyes: A Film on Josef Albers developed from Arnold Bittleman's appreciation for Albers while Bittleman was a student at Yale University in the 1960s. Wanting to preserve Albers’s teaching method—learning by doing—Bittleman set out with filmmaker and editor Carl Howard to make a visual record of Albers teaching students how to see and use color as a visual grammar. The film includes archival footage of Josef Albers at home in conversation with Bittleman, as well as footage from Black Mountain College and Yale University.

Son of Torum

1989

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Architecture: A Performing Art

1979

This is the story of John Andrews, world-famous Australian architect. In the mid-1960s, when only 29, Andrews was commissioned to design Scarborough College at Toronto University. One of the world’s first ‘megastructures’, it was an important experiment in urban and educational planning. Andrews also designed the Canadian National Tower in Toronto, which was the tallest freestanding structure in the world at the time it was built.

Marion ou la métamorphose

2024

Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.

Die Markus Family

2001

This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.

The Kingdom of Dreams and Madness

2013

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

The Mona Lisa Curse

2008

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.

The Future of Mud: A Tale of Houses and Lives in Djenne

Through the story of a mason in Djenne, Komusa Tenapo, and his family, this documentary examines an African tradition of mud architecture in Mali. The environmental genius of these ancient construction techniques—thick walls with tiny windows that keep the interiors cool despite the stifling heat—is expressed in strikingly beautiful designs that have won the town of Djenne designation as a World Heritage site.