Monkey Sandwich

Wes and Kyra

2025

Wes and Kyra is a story about a vampire couple in New York City who rent a room for three days to drown out their addiction, face the toxicity in their relationship, and grapple with the idea of death as it circles all around them.

New York Nights

1929

Show girl Jill Deverne is married to song writer Fred Deverne, and everyone is involved in the Broadway night life and endless parties. Jill is being pursued by a gangster, and she leaves her husband after he spends the night with a floozie. Jill ends up as the gangster's moll, but she soon gets tired of the lifestyle.

Birdman or (The Unexpected Virtue of Ignorance)

2014

A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.

The Affairs of Susan

1945

Susan is about to be married, but the wedding may get called off after her fiancé summons three former beaus. Each reveals a different portrait of Susan: one describes her as a naive country girl who reluctantly becomes an actress, another paints a picture of a gay party girl and and the third describes a serious intellectual.

National Theatre Live: Frankenstein

2011

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.

Tennessee Williams' South

1973

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

Pour un oui ou pour un non

1989

Two childhood friends who have not seen each other for a long time decide to meet again. They talk and look for what could have caused their estrangement: words pronounced in a certain way, an intonation etc. Very quickly, an argument begins and turns into a settlement of accounts.

All the Beauty

2016

Sarah (Ann Eleonora Jørgensen) and David (Magnus Crepper) meet for the first time in ten years when she arrives at his summer residence. David needs help finishing a play, which turns out to be a dramatization of their long, troublesome relationship. The film presents three love stories about seemingly different couples; all named Sarah and David, but played by different actors in respectively their 20s, 30s and 40s.

200

2025

Panic in Echo Park

1977

A young doctor tries to convince everyone about an impending epidemic, but he is accused of creating panic.

Racek

1997

A famous actress arrives at her brother's estate with her son and boyfriend, a writer. There they meet young Nina, who flies through their lives like a seagull...

Information for/from Outsiders: Chronicles from Kashmir

2019

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.