2002
In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.
2006
Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.
2019
Schoolboy Haejoon has homework. He has to create a family newsletter by the end of the summer. One day, he happens to see Hakchul, a junk man, carting a camera. Waiting for his father, who have promised to coming back soon, the boy goes to the mountain for the camera.
2013
In a new, predatory ice age, two brothers search for a place to call home.
2016
Embers and Dust focuses on the perspective of a young farm boy and his family, and how the night of Orson Welles' dramatic broadcast of War of The Worlds unfolded for them.
1945
This one features Jasper talking to the Talking Scarecrow. The Scarecrow then tells Jasper in flashback about his show business days. You see many scenes of dancing watermelon men and other minstrel caricatures.
2014
A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.
1951
Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.
1994
In a world where admiration and status are given to whomever can carry the heaviest books on their head, a man hopes his son will achieve what he himself couldn't.
Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.
1938
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.