1952
Shows how to use and care for crayons and some of the crayon techniques. Explains creative drawing, poster making, imprinting a design on cloth and other crafts.
2025
David Attenborough takes viewers on a breathtaking journey showing there is nowhere more vital for our survival, more full of life, wonder, or surprise, than the ocean. Through spectacular sequences featuring coral reefs, kelp forests and the open ocean, Attenborough shares why a healthy ocean keeps the entire planet stable and flourishing.
1954
From the legendary times of Romulus and Remus to the present day, the compelling story of the eternal city's twenty-five centuries of civilization traces the rise of Christianity over paganism through studies of Vatican art treasures.
CONTACT is a short documentary film directed by Jonathan Walley that chronicles the transformation of an entire chronicles the transformation of an entire skatepark into a playable musical instrument—where the skate, BMX, art, and music scenes collide. HCS has been many things: a skatepark, gallery, library, museum, and stage; but, for one weekend, Derek Nelson fabricator, activist, BMX pro, and artist, transformed his skatepark into an immersive sonic installation—part instrument, part playground—for the community of Binghamton, NY to become co‑creators in a conflagration of sound. SMALL TOWN, BIG SOUND. CONTACT reminds us of the joy in creativity, community, and the DIY spirit. Contact is about pushing boundaries, experimenting with art, and reclaiming space in an increasingly cruel, unkind, and oppressive world. It’s a poetic exploration of the creative process told by a filmmaker who calls HCS home.
2018
Filmmaker Warren Harrison captures the memories and experiences of people who grew up as part of a unique community at Greatham Creek, a salt-marsh near Hartlepool in the Tees Valley. One of those who’s memories are recorded is photographer Ian Macdonald whose haunting images of the creek are used in the film along with family photographs, archive film provided by the North East Film Archive and contemporary footage.
1929
Two Penny Magic (Zweigroschenzauber) starting off with a little magic trick. It then presents an array of images from swimmers, bicyclers, murderers, airplanes in flight, boxers, lovers, runners, becoming in the end a collection of images in a magazine.
1998
Rachel Whiteread’s cast of a Victorian terraced house in London’s East End was hailed as one of the greatest public sculptures by an English artist in the twentieth century. Completed in autumn of 1993 and demolished in January 1994, House attracted tens of thousands of visitors and generated impassioned debate, in the local streets, the national press and in the House of Commons.
2015
Paris 1943. Hitler set up the systematic looting of works of art in France. Rose Valland, infiltrated as intendant at the Jeu de Paume museum, which has become the sorting station for works leaving for Germany, will take all the risks to oppose this spoliation enterprise.
1967
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
1968
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
1978
Director Koreyoshi Kurahara chronicles a year in the lives of Flep and Leila, two foxes living in Hokkaido, Japan's northernmost island, where the freezing winters are long and the mild summers short. After Flep defeats another male fox to become Leila's lifelong partner, they mate and raise a litter of five kits. With their family complete, the group must contend with human interference in their habitat, such as chicken farms and snowmobiles, and struggle against the debilitating cold of winter. The animals experience both triumph and tragedy, as the law of this harsh land proves – only the strong survive.
2020
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
