2022
1989
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
2021
A moving portrait of actress Tantoo Cardinal, travelling through time and across the many roles she’s played, capturing her strength and her impact—and how she shattered the glass ceiling and survived.
2025
In preparation for his first major retrospective at the Oklahoma Contemporary in 2025, Hock E Aye Vi Edgar Heap of Birds reveals thoughts, formal approaches, and philosophies toward various works, including the oral history details behind his new wall installation work, Family, that continues his practice of 'primary' and 'ghost' printing.
2020
2001
2019
On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
This short documentary revisits Mi’kmaq territory, where an iconic moment was captured in 2013—igniting into a symbol of Indigenous resistance and halting fracking exploration on unceded lands.
At the beginning of the year 2020, a relentless plague sweeps the planet and, as a consequence, a global lockdown is gradually decreed: how did people from very different latitudes, living necessarily very different situations, experience this shared solitude? How did people adapt to the restriction by decree of their personal freedoms and the transformation of many bustling metropolises into ghost cities?
A documentary film exploring an untold part of Canada’s past through the eyes of Inuk artist and filmmaker Elisapie Isaac. After facing a moral dilemma, Elisapie sets out to meet others who, like her, are “Hudson Baybies,” the children born of the mixed unions between Indigenous women and Hudson’s Bay Company employees working in trading posts and general stores across the North.
In the beginning it felt like a holiday, then everything changed due to Covid19.
The world lost Hayden Hunstable to suicide in the middle of the mandated stay-at-home orders on April 17th, just 4 days before his 13th birthday. Hayden did not struggle with depression nor did he have a history of mental health problems. He was a normal healthy and happy kid who was unprepared for social isolation. His parents attribute Hayden’s emotional suffering to a “perfect storm of routine disruption, social isolation, increased gaming, and a pressure stack of activity cancellations,” all created by the government’s mandated stay-at-home orders in the wake of the COVID-19 global pandemic.
