The Trail's End

Virgin Lips

1928

In a banana republic, way south of the Texas border, a dumb-Dora American girl, Norma (Olive Borden), lets her ruby-red lips promise more than she is willing to deliver, and she finds herself a prisoner in a notorious dance-hall/brothel. But her American aviator boyfriend, Barry Blake (John Boles), is flying to her rescue. He does just that but, alas, they are quickly captured by a gang of outlaws. Possibly the many expensive pieces of jewelry she has gathered from the many male friends she has made along the way, including El Presidente, captured the outlaws' attention.

Driftwood

1928

Daisy Smith (Marceline Day), a floater and non-desirable citizen in most societies, seeks refuge on a tropical island in the South Seas. She meets Jim Curtis (Don Alvarado), another society-outcast and a piece of human driftwood, and a romance takes place that regenerates both and they sail back to the United States determined to start life anew.

Shanghaied Love

1931

Captain Angus Swope (Noab Beery), known as The Black Yankee, skipper of the Golden Bough, treats his crew shamefully and he treats women no better, as evidenced by his handling of a woman he has abducted, together with her baby daughter, Mary (Sally Blaine), from seaman Newman (Willard Robertson). When the woman dies as a result of his cruelty, he brings up Mary as his own daughter.

Speed Demon

1932

A mechanic works for his sweetheart's father, who builds racing boats. He begs for and gets the chance to race a new-design boat, but his rival gets him intoxicated before the race and he wrecks the boat. Now he has to make good and show he has the right stuff.

The Eagle's Eye

1918

A criminologist and a government agent team up to expose a ring of German spies.

Hands Up

1918

A newspaperwoman finds trouble aplenty when an Inca tribe believes her to be the reincarnation of their long-lost princess.

The Mystery of Bangalore

1918

Queen of the Sea

1918

Annette Kellerman, the Australian swimming star of the early 1900s, made a number of films, most of them in the 1910s, which displayed her athletic skills. Most of these films were underwater fantasies, and this one was no exception. Here, Kellerman is Merilla, a mermaid who is the "Queen of the Sea." Not satisfied with being a mermaid, she wants a mortal human body with an immortal soul. She discovers she can achieve this if she saves four human lives.

The Arm of the Law

1932

A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.

The Girl from God's Country

1921

A picture of the great outdoors, peppered with the thrills that dreams are made of.

In the Teepee’s Light

1911

Jack Reed falls madly in love with Wild Dove, an Indian maid, and while his affection is returned by the girl, his suit is frowned upon by her father, who wishes her to marry an Indian brave who has given him many presents. Wild Dove enters the road house to sell her bead work, and Bill Emery, a tough westerner, forcibly tries to kiss her. Her frantic efforts to save herself are greeted with laughter by the amused onlookers, till Jack rushes in and knocks Emery down. Emery draws a gun but is quickly covered by Jack, and departs sullenly. Jack decides to marry Wild Dove immediately, to prevent such insults, and hand in hand they go to her father's tepee, where Jack's pleadings are rejected. Jack decides upon a desperate plan, and creeping into the tepee in the night he awakens Wild Dove and takes her to the road house where he has asked a minister to meet him.

A Left Hook

1911

Adele is courted by Algernon, a delicate young man. They attend a boxing exhibition, and Adele becomes enraptured with the manly art. Algernon starts to take lessons and is given some painful maulings at the gymnasium by the instructors, who delight in battering the "Willie-boy." Adele also takes lessons and accidentally receives a left hook on the jaw, which destroys all her interest. She writes a note to Algernon, expressing her dislike for boxing, and as he gazes at his bruised and battered countenance in the mirror and realizes it has been for naught, he presents a laughable appearance.