2024
We Are the Champions isn’t just a Queen track, it’s the sound of victory itself. This documentary traces how Freddie Mercury’s vision of a communal anthem leapt from News of the World into stadiums across the globe, becoming the ultimate soundtrack to triumph. With Brian May and Roger Taylor reflecting on its creation, and with decades of archive footage showing fans, athletes, and nations singing as one, the film makes a case for why this towering arena ballad still rules the winners’ podium.
2006
The little asshole's grandfather, the old bag, has fallen into the coffin at a funeral and been buried alive. It's no surprise that instead of going to heaven, the old sack goes straight to hell. The little asshole and his dog Peppi, whom he inherited from Mrs. Mövenpick, try everything in their power to snatch the old bag from the clutches of the devil and do not shy away from dubious cloning techniques and black magic.
1931
Simultaneously filmed English language version of a period operetta, in which a Polish noblewoman is romantically linked with a revolutionary student activist.
2025
Little Simz brings her electrifying energy to the iconic Maida Vale Studios, delivering tracks from her highly anticipated new album, Lotus, alongside a few timeless favourites from her acclaimed catalogue. Simz performs six exclusive tracks for the BBC and also sits down with Clara Amfo to discuss the stories, sounds, collaborations and struggles behind the new album.
1992
A live concert recorded in June, 6th 1992 in Paris, France with special guests Steven Tyler and Joe Perry from Aerosmith.
1998
A devout Mormon living in L.A. becomes a pornographic actor after his martial arts moves impress a big-time director.
2009
The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
