Dantes Traum von der Hölle

Dissipative Fantasies

1986

An individual finds that the world that intrudes upon his personal life cannot be escaped, and he turns to the next generation.

Crushing

2024

Images of a young boy performing in his room in front of the camera to his sexchat audience intertwines with images of masked-men cruising in the darkness. The piece focuses on the psychological and physical suffering of the protagonist.

Údolie večných karaván

1968

Abysse

2024

Experiments in the Dark

2022

A mysterious figure explores the uncanny and terrifying space between light and darkness.

Pandemic

2017

A computer animation in which the camera circles around an architectural structure, only to penetrate its center a moment later. The interior turns out to be an orderly tangle of a huge number of connections. Somewhere here, new energy is born. Electronic, pulsating music sets inanimate matter in motion, and it begins to live a life of its own. The camera closely follows its movements, taking the viewer on a hypnotic journey full of surprises.

ACT III

1983

Abstract video art set to the music of Philip Glass.

Moving Matter I

2024

Moving Matter is the culmination of a material-led process with artists from dance, costume design and film that began with a study of old kitchen flooring about to be discarded. This flax-based material enters our orbit in the 1950s, where a measured homelife and prescribed domesticity offered a reassuring antidote to bomb scares, political turmoil, and paranormativity. Stability topples as the flooring becomes entangled in the lives of those who don the material as garments and shelters. This film was made through Moving Matter, a long-term research-creation project that offers a methodology for rethinking the dynamism between raw materials, garments, and the body. Moving Matter steers the locus of choreography and wearable design away from human hierarchy to instead support truer collaboration amongst all moving materials, both human and non-human, in this case… linoleum.