2025
A group of people talk about their identity and a way of personal expression through "Harajuku", a fervent Japanese fashion in Santiago de Chile.
1980
Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.
2022
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
2024
In 1988, 20-year-old Céline Dion won Eurovision for Switzerland with the song ‘Ne Partez Pas Sans Moi’, a moment that kickstarted her international career and propelled the young Celine to world fame. This documentary looks back through the archives at an event that changed the Quebec singer's life, with interviews from the song’s composer as well as from Scott Fitzgerald, the British singer who was runner up at Eurovision 1988, beaten by just one point.
1922
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
2005
On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.
2002
