After the Clouds

Clouds

1969

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Ghost Town

An documentary exploring what the city of Liverpool means to the people who call it home.

Trespassing or Close Encounters of the 3rd World

2023

Adrián Muoyo

2015

Documentary portrait about Adrián Muoyo, the head of the Library at the ENERC.

Silencio

2020

Sound progression of two opposite landscapes.

Hatay

1939

Reminiscencia

2017

Photodocumentary about the ESMA tragedy.

Appendix

2024

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.