1937
This travelogue begins at Bangkok's rail depot, a center of Indo-Chinese commerce. Next the narrator talks about Buddhism as the camera shows us some of Bangkok's many temples. Then, the narrator introduces us to the importance of traditional dance, with emphasis on the way that delicate wrist movements tell stories. It's on to the system of waterways in Bangkok, where more than 1,000,000 people live or conduct commerce. We take a ride down the Menam River, the country's most important commercial and social road. From our boat, we pass Wat Arun and other colorful signs of life typical in serene Siam.
This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.
2012
A feature-length documentary on the life and work of jazz musician and composer Krzysztof Komeda.
1938
This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.
2017
A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.
2000
This feature documentary offers a glimpse of contemporary Cuba’s rich musical culture through the experiences of renowned Canadian soprano sax player and flautist Jane Bunnett. Jane and her husband, trumpeter Larry Cramer, are surrounded by the charm of Old Havana as they connect with some of the city's finest musicians—like singers Bobby Carcasses and Amado Dedeu —for a recording session. Bunnett and Cramer then venture to small towns like Cienfuegos and Camaguey, where they hook up with local musicians and visit music schools. Global music fans will be captivated by the performances of Los Muñequitos de Matanzas, a celebrated Afro-Cuban rumba group, and Desandann, a 10-member a cappella choir that sings in Haitian Creole.
2019
In the late 1960s, Haddon Salt built a fast-food empire. Then Kentucky Fried Chicken came knocking.
2007
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.