CORONA.FILM - Prologue

Meet the Trumps: From Immigrant to President

2017

The remarkable true story of Donald Trump's family history - one of the most extraordinary immigration success stories ever told - and what it reveals about the United States' 45th President

Hong Kong: Retrocession Generation

2017

In 2017, twenty years after the British handed over Hong Kong to China in 1997, young people, more politicized than any previous generation and proud of their land, do not feel Chinese and actively fight against the oligarchs who want to subdue them to China's authoritarian power.

COVID-19: The System

2020

COVID-19. The whole world is in Lock Down. There is panic in society. What is going on? Is this actually about our public health?

Amérique latine, l'année de tous les dangers

2019

Belarus: An Ordinary Dictatorship

2018

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

Relatively Free

2016

A short film following the release of journalist and activist Barrett Brown from prison, and his drive across Texas to a halfway house. 'Relatively Free' is an examination of Brown's return to a very different world, post the election.

Projekt Ballhausplatz

2023

How a group of young men managed to take over the government and lead it to the brink of democracy. What drove the “Praetorians” and why almost the entire country was at their feet. Why the European public marveled and admired this.

Princess Diana: The Mourning After

1998

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.