2017
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
2024
We Are the Champions isn’t just a Queen track, it’s the sound of victory itself. This documentary traces how Freddie Mercury’s vision of a communal anthem leapt from News of the World into stadiums across the globe, becoming the ultimate soundtrack to triumph. With Brian May and Roger Taylor reflecting on its creation, and with decades of archive footage showing fans, athletes, and nations singing as one, the film makes a case for why this towering arena ballad still rules the winners’ podium.
2023
Dalida was an international star, selling over 140 million records in 10 languages. But behind her glittering career and dramatic and tragic personal life, was her ever supportive younger brother Orlando. The documentary sheds light on the professional and personal relationship between the music icon and her producer, between sister and brother.
2008
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov's house becomes a place of inspiration and a point of no return to toxic reality.
2014
A documentary that explores the challenges that a life in music can bring.
1998
Legends circulate in the public consciousness about Kex, which existed from late 1968 to the autumn of 1971. For baby boomers, it represented freedom and spontaneity. The band rejected the world of Communist cultural policy with its uniqueness and refusal to conform, something in which the best of the artistic intelligentsia and political dissidents saw value. They attended their concerts, and the film recalls their experiences. At times, one feels as if they are watching a spy film parody, as one gains insight into the secret files containing reports from agents embedded within the audience.
