1997
Investigative reporter Chris Morris puts modern Britain under the spotlight, and smacks the issues of the day till they bleed. He tackles weighty issues including animals, drugs, sex and skewered celebrities and politicians alike - and in a later episode in 2001, paedophiles.
2001
The Armando Iannucci Shows is a series of eight programmes focused on specific themes relating to human nature and existentialism, around which Iannucci would weave a series of surreal sketches and monologues. Recurring themes in the episodes are the superficiality of modern culture, our problems communicating with each other, the mundane nature of working life and feelings of personal inadequacy and social awkwardness. Several characters also make repeat appearances in the shows, including the East End thug, who solves every problem with threats of violence; Hugh, an old man who delivers surreal monologues about what things were like in the old days; and Iannucci's barber, who is full of nonsensical anecdotes.
Here come the Crown Knights: Sunday Spades — the poker-faced leader and possessor of the mysterious trump power! Jo Diamonds — who can run at the speed of light! Casa Clubs — combat expert who possesses hyper-senses! Coco Hearts — the tricky master of psycho-magic! Together, these cute, card-carrying champions are dealing a world of hurt to the criminals who threaten the tranquil Card Kingdom. But can they checkmate two, invading war machines — shaped like gigantic chess pieces — before the kingdom topples like a house of cards?
1998
Twisted and original sketch show from the minds of Graham Linehan and Arthur Mathews, starring Simon Pegg, Kevin Eldon and Mark Heap.
2005
Sitcom about a small-time dope dealer and his strange collection of acquaintances.
2012
A comedic talk show from an alternate reality featuring unstable hosts, a variety of celebrities—both real and fake—and unusual studio action.
1982
The Comic Strip is a group of British comedians, who do parodies of films, literature and sometimes major events.
1993
During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete with girls, rock music, and the intrigue of romantic entanglements.
