1967
2002
This fast-paced and stunt-filled motor show tests whether cars, both mundane and extraordinary, live up to their manufacturers' claims. The long-running show travels to locations around the world, performing extreme stunts and challenges to see what the featured cars are capable of doing. The current hosts are Paddy Mcguinness, Chris Harris and Andrew "Freddie" Flintoff.
1980
2018
Christopher Timothy and Peter Davison get behind the wheel of the 1936-designed Morgan 4/4 and set out on a series of road trips along some of Britain's most beautiful vintage roads. Taking inspiration from old travel guides of the day and travelling the most iconic sights of the regions, they experience the thrills of the era when Britain first fell in love with the motor car and when the open road was a gateway to adventure and exploration.
2019
Bryan Audet and his two acolytes talk about everyday life, about the subjects who annoy them and those who bring them together, serious or much lighter subjects. Debate, laughter and fun in a relaxed atmosphere.
1981
Daily tabloid television news show on entertainment and celebrity news with unprecedented access to Hollywood's biggest stars, exclusive behind-the-scenes looks at upcoming film and television projects, as well as the real story behind Hollywood's latest news.
2011
"A man went looking for America.... And couldn't find it anywhere!" proclaimed the original Easy Rider poster. Four decades later filmmakers Simon Witter and Hannes Rossacher set out to see if they could find America, retracing the film's original route across the country with Easy Rider super fans Jim Leonard and Mike Kittrell, on a quest to find out how the many issues that resonated through the film had developed, for better or worse, in the interim. Along the way they met musicians, journalists, academics, seasteading idealists, drug policy experts and healers, and heard from the film's makers and extras about the dramatic genesis of the cult film that blew like a wind of change through the stilted kitsch of mainstream cinema in 1969, re-writing the rulebook on genre, drugs, music, cinematography and even the use of non-actors, holding a mirror up to the values of a changing America.
